- David Wessel’s IRCAM
- Organized Entanglement: Fiber and Textile Arts, Science and Engineering
- Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSC
- Notations for Performative Electronics: the case of the CMOS Varactor
- A Synthesizable Hybrid VCO using SkyWater 130nm Standard-Cell Multiplexers
- A Recipe using OSC Messages
- Birds of the East Bay 2020
- Exercising the odot language in Graphics Animation Applications
- C++ container output stream header file
- Programming
Filters: Author is MacCallum, John [Clear All Filters]
Visualizations and Interaction Strategies for Hybridization Interfaces,
, New Instruments for Musical Expression, Sydney, Australia, (2010)
Abstract
Download: rbfi.pdf (9.11 MB)
Dynamic, Instance-based, Object-Oriented Programming (OOP) in Max/MSP using Open Sound Control (OSC) Message Delegation,
, ICMC 2011, Huddersfield, England, (2011)
Abstract
Composability for Musical Gesture Signal Processing using new OSC-based Object and Functional Programming Extensions to Max/MSP,
, New Interfaces for Musical Expression, 30/05/2011, Oslo, Norway, (2011)
Abstract
Agile Interface Development using OSC Expressions and Process Migration,
, NIME, Daejeon Korea, (2013)
Abstract
“Old” is the new “New”: a Fingerboard Case Study in Recrudescence as a NIME Development Strategy,
, NIME, Daejeon Korea, (2013)
Abstract
o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction,
, ICMC, Athens, Greece, (2014)
Abstract
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments,
, International Computer Music Conference, 14/09/2014, Athens, Greece, (2014)
Abstract
Antony: A Reimagining,
, International Computer Music Conference, 25/09/2015, University of North Texas, Denton, TX, USA, (2015)
Abstract
Experimental Collective Experience,
, UC Irvine, (2016)
Abstract
o.OM: Structured-Functional Communication between Computer Music Systems using OSC and Odot,
, FARM2016, Nara, Japan, (2016)
Abstract