Thanks to Angela Sheehan from Soft Circuit Saturdays for filming this in the challenging, busy, noisy environment of Maker Faire.
My table at Maker Faire 2007 including my first e-textile work with peizoresistive fabric, my duotouch pad and floor sensor and some great interactive demos whipped together by Andy Schmeder. Michael Zbyszynski dropped in and talked about his Ikea bowl speakers.
It was great that Dan Overholt was nearby demonstrating his e-field sensor array.
The faculty club is on the East side of campus at the same level as the Cal Stadium.
Public Parking is available on weekends in the Bancroft lot or in a the Boalt lot just a few hundred feet south east of the Faculty Club: http://www.google.com/maps/ms?ie=UTF8&hl=en&msa=0&msid=10042043183639845...
This page will generate directions:
although I find the directions to the building next to it more helpful:
The current growth of the Arduino platform is fueled by the many new boards that make it easier to squeeze Atmega processors and their associated peripherals into ever smaller spaces or unusual places such as clothing.
Thanks for these flattering comments. The best complements you give are with all the wonderful things you have been inspired to make after taking my classes.
"Adrian is such a gifted teacher and I really felt like the environment allowed me to see that this area is doable by people and it's not as mysterious as it feels when I work on it on my own. I loved it."
"Thanks so much, it was a great workshop, you were super."
This is a summary and then expansion of a riff of mine from a debate on the grades vs learning issue in the middle of a fascinating high-paced jam session on the future of education and new contexts for schooling at foocamp 2009.
Originally recorded on his "Ship of Fools" album, this song illustrates John's arranging approach where he combines three ideas: double stop harmonization on the center strings, melodic motion along the strings (instead of across), and the outer strings as pattern picked rhythmic drones. This synthesis of British Isles source material, American pattern picking, European harmony and North Indian chordophone technique is a distinctive feature of his guitar style.
Here is the original song he is teaching.
John Renbourn took up Sitar after Ravi Shankar's visit to England in the 1960's. Many of his guitar arrangements subsequently reflected modal melodic arrangements on the middle strings with drone accompaniment on the outer strings. John set this one up in standard tuning requiring some clever harmonizations and partial barre chords. John told me that "Lord Franklin" reflected his early approach to this before Davey Graham showed everyone how much easier this sort of thing was in alternate tunings, e.g. DADGAD.