| Abstract | The structure of the Open Sound Control (OSC) content format is introduced
with historical context. The needs for temporal synchronization and dynamic
range of audio control data are described in terms of accuracy, precision,
bit-depth, bit-rate, and sampling frequency. Speci c details are given for
the case of instrumental gesture control, spatial audio control and synthesis
algorithm control. The consideration of various transport mechanisms used
with OSC is discussed for datagram, serial and isochronous modes. A summary
of design approaches for describing audio control data is shown, and the case
is argued that multi-layered information-rich representations that support
multiple strategies for describing semantic structure are necessary. |
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